“Ridin’” is a ballad by American singer Mýa. It was written by herself, Ester Dean, Traci C. Hale, Jevon Sims and producer Christopher “Difficult” Stewart for her fourth studio album Liberation (2007). Launched as the album’s second and remaining single in July 2007 (see 2007 in music), it reached number fifty-eight on the U.S. Billboard Sizzling R&B/Hip-Hop Songs chart. A music video for the music was directed by Erik White.

Conception and production

Intermitted by a number of recording pauses, the singer had been working on her fourth studio album on and off since 2004. Initially conceived as a project referred to as Control Freak, her first launch with the A&M Data label, the album’s first model was truly introduced for a summer season 2005 launch, involving most important production by Scott Storch, Dr. Dre, Jodeci, Lil Jon, Rockwilder and songwriter Sean Garrett. Mýa who took control of the album in her personal fingers by producing a part of the report herself, described the album as “a mixture of a Gwen Stefani, because it’s energetic, and Lil Jon, very ghetto,” with a less traditional R&B edge, exlaining further: “Control Freak is mainly learning find out how to achieve management of a scenario your self, gaining control with the intention to be [a] free and delightful particular person in life.” Nevertheless, though she supposed to launch a dance observe referred to as “Let It Go” at a specific time, she finally determined to go away each her administration and A&M Information in fall 2005 as a result of personal variations, earlier than signing a brand new contract with Motown Records.

During the following months Mýa started consulting a few different producers to collaborate on the album, renamed Liberation, together with Tim & Bob, Bryan Michael Cox, Kwamé, J. R. Rotem and Difficult Stewart. Searching for a brand new vibe for the album, she drew inspiration by leaving Los Angeles, California and transferring again to Washington, D.C., where she spent her formative years. “I simply knew that I had to get again to my roots and rediscover what had made me excited within the first place,” she said in an interview with Billboard magazine. “I’ve all this artistic energy and all these ideas however LA it was too impersonal of a spot to develop an actual artistic family.” Back dwelling, Mýa bought a home and enlisted her brother to construct a recording studio, the place she started experimenting, laying down rudimentary tracks and learning easy methods to engineer. Pushed by her newfound skills in mixing and production, Mýa as soon as once more intensified work on the re-labored Management Freak album, with most of it will definitely being accomplished in a stretch of solely three month. “It was an easy course of as a result of I knew what I wished to do when I went in,” she commented, evaluating the making of the album with a therapy. “I’ve been trustworthy with myself and have been capable of admit some things and analyze myself and save myself at the end of the day [...] Liberation is a clean slate; my most expressive, vulnerable album.” Reviewed by just a few American critics solely, Liberation garnered a generally blended reception. Dorian Lynskey of Blender journal gave the album [two] and a half stars out of 5, stating: “A decade into her profession, [two] songs raise the 27-year-old’s sport – the insidious snake-charmer melody of “‘Walka Not a Talka’ and the bracing blast of betrayed-housewife rage of ‘All in the Identify of Love.’ Elsewhere, boilerplate sluggish jams and generic sass paint Mya, her claims on the contrary, as a talka not a walka.”

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