Fortunately, the cancerous tumor in the body of heavy metal is now in remission and the tide is turning back. Mopey lyrics and wimpy riffs are giving way to thundering power chords and lyrical brutality. Among the bands bringing forth a ‘nu metal’ backlash is Swedish Viking metal band Amon Amarth. As the name implies, bands from the Viking metal genre sing about subjects of interest to vikings such as sailing, lusting for adventure and conquest, furious winds and treacherous seas.

Amon Amarth took their name from a location in J.R.R. Tolkiens Middle Earth, and their name means Mount Doom in the Elvish language of Sindarin. Drawing musical inspiration from bands such as Bolt Thrower and their Viking metal predecessors Bathory and Enslaved, who in turn took their cue from the great American band Manowar, Amon Amarth plays their own unique style of melodic death metal. While they are hesitant to identify themselves as Viking metal, they take most of their lyrical content from Viking history and Norse mythology.

The band signed with Metal Blade Records in 1998 and their popularity has skyrocketed worldwide. 2006s With Oden On Our Side earned the band headliner status in North American and has made them one of the most popular metal acts in the US.

Amon Amarth recently extended their deal with Metal Blade records and released their latest album in September 2008 called ‘Twilight of the Thunder God’. The album continues their thematic examination of their Viking ancestors, and has become their biggest seller to date.

Heavy metal as a genre is making a worldwide resurgence, particularly the Amon Amarth style of ‘Viking Metal’ and other related acts with a similar thematic focus on epic adventure. The band tours constantly, and their powerful live show has earned them a reputation as one of the ‘must see’ concert acts.

David Glisan is heavy metal editor for The Savage Science, a website covering both MMA news and heavy metal music. He’s an avid MMA and boxing enthusiast as well, and reportsUFC news for several mainstream sports broadcasts and websites. He’s studied judo since childhood and has earned the rank of black belt.

Technorati Tags: heavy metal, music, Pop Culture, rock music, Swedish music, viking metal bands

Roller Derby has been around for years and was a staple of the early days of television. It was similar to its better known counterpart, pro wrestling and was seen on many of the same low powered UHF stations in the same bad timeslots. It had a similar borderline sleazy group of promoters and businessman that was common in the regional territory era of pro wrestling. Roller derby didn’t have the success or popularity that pro wrestling did. There was a serious athletic component to be sure, but the dim witted storylines made pro wrestling look like Shakespeare. The sport does have its own history–most know that the LA T-Birds were the perennial champions of 1970′s, and Ann Calvello and Ralphie Valladares had been in the sport forever and were considered legends–but it never really stuck in the public consciousness like the pre-Hulk Hogan era of pro wrestling.

New era roller derby reached a national audience through the A&E reality series Roller Girls. It featured a local, all-girl roller derby league in Austin, Texas and followed the lives of the players on and off the track. While the show was oddly engaging, it was the first clue that many had that such a league existed in the first place. A sport that was never taken seriously to begin with and that was really living on borrowed time since the 1960′s before fading into the lowest level of obscurity had been rediscovered and embraced by an eclectic group of young women. They had kept the same essential format, thrown in a healthy dose of burlesque camp and Varga pin-up inspired glamour and made it into their own vibrant subculture. They changed some of the nomenclature and competitive format–in lieu of regularly scheduled games they renamed the competitions “bouts” a la MMA or boxing. The result was a compelling mixture of glamour, toughness and athleticism driven by a healthy dose of punk rock “do it yourself” mentality.

Today, the same sort of league featured on “Rollergirls” had become a full blown cultural phenomenon. There are now literally hundreds of local “roller girl” leagues in the US, many under the auspices of a national organization called the Womens Flat Track Derby Association. Las Vegas has the ‘Sin City Roller Girls’, Portland, Oregon the ‘Rose City Rollers” and Seattle the ‘Rat City Rollers’. There are now groups in not only the larger and traditionally “hipper” cities but also smaller flyover country environs such as Birmingham, Alabama and Omaha, Nebraska and all over Canada, Europe and Australia. Most of the local groups similarly play up the campy retro pin-up/hot rod iconography and everyone involved sure looks like they’re having a good time. Between teams there’s a vibe of good natured competitiveness and camaraderie.

This organic rebirth and growth of roller derby is a result of young women taking what essentially was TV time filler and made it into their own distaff ‘action sport’. The roller derby circa 2009 is a matriarchal success story. No one is in it for the money, as these local groups are typically run as non-profit organization. The women involved have recreated this sport, and run it, promote it and compete in it on their own terms.

The new generation rollergirls also pay homage to their sports’ pioneers. Many of the individual group websites have sections devoted to the history of roller derby, and the late Ann Calvello–regarded as the Queen of the original Roller Derby–is revered as something of a patron saint. The Texas Rollergirl group featured in the A&E series has renamed their championship the Calvello Cup.

Technorati Tags: action sports, flat track roller derby, Pop Culture, recreation, roller derby, roller girls, roller skating, sports, youth culture